Apathy.
The subject of a number of things recently.
I have a lot to do. I have a piano exam in less than two weeks, a life-changing decision to make regarding university, a guitar exam in about a month, and various literary pursuits - both in reading and writing - to follow.
This morning, I woke up at eight o’clock. How, then, has it got to 1 PM and I still haven’t really done anything? Sure, I’ve eaten my breakfast, performed my daily ablutions, and so forth, but that really doesn’t take as long as five hours. This cycle of not really having much to do is making me incredibly aimless.
I cast my mind back to the days of LiveJournal - a website I stopped posting to as far back as 2006. I’ve kept a diary since then, and locked it away in the vaults of a computer which has several passwords, and no internet connection. God forbid it should ever surface to the world.
Perhaps, then, it’s time for a change. Of course, this is not just a diary, but it can at least serve to cater to my daily whims and fancies - something that nothing public has done for quite a while.
The other subject relating to Apathy, of course, is a fantastic book I’m reading at the moment called Apathy and Other Small Victories by the wonderfully talented and acerbic Paul Neilan. I highly recommend it to anyone and everyone.
I’m so embittered.
A bit of random improv. Takes on various elements of Doctor Who; The Girl in the Fireplace, The Doctor’s Theme and the actual theme tune are “referenced”, if you will, and also a bit of the Hitchhiker’s Guide theme tune. Bear with me - this was all of the top of my head.
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A little more improvisation.
This time, I’ve visited Carter Burwell’s “Prelude” from the wonderful film In Bruges (incidentally, it’s a great site as well), some more Doctor Who elements (started off as “The Face of Boe” and “Doomsday”, but sorta evolved into other things along the way. It returns again to Burwell at the end, only in a different key.
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Just a quick planning note….
With any luck, I’ll be doing something improv-like with elements of Sing For Absolution (the opera-type Muse one) in. I do have the morning off, after all.
We must amuthe ourselves, after all, thquire.
Improvisation 3
My longest one yet, so a description of each individual bit would take ages. I shall, however, provide a list of elements used in this one.
Elements referenced:
- Martha’s Theme (Doctor Who), Murray Gold
- Sing For Absolution, Muse
- Clocks, Coldplay
- Donna’s Theme (Doctor Who), Murray Gold
- In A Heartbeat (28 Days Later), John Murphy
- Hello Zepp (Saw), Charlie Clouser
- Hoist The Colours (Pirates of the Caribbean), Hans Zimmer
- The Doctor Who Theme Tune (briefly)
Again, download here for all you mp3philes out there.
Improvisation 4
As promised - well, hinted at - here it is, a fairly simple one. Marvel as I butcher, slowly and painfully, the following songs:
- Baker Street, Gerry Rafferty (though I’m going off the Foo Fighters version)
- Writer’s Block, Britt Daniel (on the Stranger than Fiction soundtrack)
- Mad World, Tears For Fears/Gary Jules
- No Cars Go, Arcade Fire
- This Is Gallifrey: Our Childhood, Our Home, Murray Gold (what?)
Again, download here for all you mp3philes out there.
Sexy, no? From Repo! The Genetic Opera soundtrack, which is available to buy now through the annoyingly slow and difficult-to-buy-from Amazon, and also a wonderful little site called Topspin.
Half An Hour After Midnight
It’s drunken ramble time!
yeah
The night starts with an urban sundown. No purples, oranges or yellows - there needs to be a horizon for that, and I’m walled in on all sides by buildings. Instead, I stare up at the slow progression from bright blue to glimmering navy as night descends, on the way to purchasing alcoholic drinks from an off-licence.
Somewhere five miles off, the others have started drinking already; what’s more, they started a long time ago. I figure there is no way I’m going to end up as inebriated as them this evening, and only buy a few miniatures. In-flight alcohol. Decadent, but handy.
I come back, eat, and go out, listening to James Cotton and his Blues Band playing Rocket 88, as the 384 bus takes me to tonight’s destination.
Romiley is not a heavily populated place.
The evening is a cheery one at first. Calm, neutral, just stupid enough to be mildly exciting. Daniel Andrew serves as our court jester, while Greg - the host - acts as the rational core. Dave Burin dances to everything. They’re not laughing with you, Dave. Sorry.
Music seems to be the main event. Keyboard and guitar dominate the night - at least, from where I’m sitting. Gordon and Ian - people I vaguely know - turn up wearing hand-knitted dresses. I marvel at the ingenuity, speechless, unable to react. They act normal. I feel somewhat inferior for a moment. There is spontaneity.
Other people - about ten, from Greg’s old school - arrive. I don’t know any of them, but at the same time I recognise them - blips and moments from faces around college. A completely impersonal place, college, until you actually get the nerve to talk to any of the silent faces.
Reckless sportsmanship costs lives. In tonight’s case, a tooth of the host. He tries to get a gun to shoot the offender. It was an accident, honest. The boy legs it, while Greg calms down. He goes to A&E. We stay in the house.
Time passes, but not necessarily chronologically. We’ll get back together, I know it. You can’t know anything. I still love her; she still loves me. Love is always a temporary thing. Value it as you’d value anything else temporary. Don’t spend your life hoping for something better - look for better while enjoying what you’ve got. A flick of the head: All the anti-depressants I’ve tried, including the one I’m on, have given me awful side effects. I’m stalling until I go to Florida, then until Japan. Stalling, huh? Great way to deal with it. “Uhuh? Go on, I’m listening.”
Viking metal on the bus. Worry at pissed off passengers. Twenty minute walk home.
Text. Another in hospital. Concern. Better not be serious.
“Y-you cuhn just sshut the ffuck uhp and gerrout.” No, you can, you lumbering drunken brute. Change your T-shirt, you look a fucking mess. If you’re in charge, we’re in trouble.
This is the song of our one and a half year relationship. Chord, chord, chord, vocals. Ours was ‘Spitting Games’ by Snow Patrol. Odd, that. A love song, yes, but not a particularly poignant one, just one with a catchy hook. I mutter this, badly strum a few chords.
Chris, you’re wasted. No, I’m not.
Ambulance sirens scream through the night. Leave us in peace, invalids, the roads are clear. Zoom in silence, no-one will notice.
The skies are dark, punctuated by burning white-hot stars. I feel insignificant, but in awe of the rest of the universe. A lot of gazing at the sky today. Amazing how we always look either down or straight ahead, never up. We should look up more often. There’s more up there than there is down here.
I get back. The album “02” by Son of Dave ends. Exhausted. Bed. Sleep. Never want to wake up.
Illness.
Yet again, I’m ill, my throat seizing up and turning against me and my nose figuring that it can have a holiday. I feel rotten, and that’s the reason why I’m not doing any work today. I had stuff planned, but I think if I focus on any work today I’ll break out in pustules, or something equally rotten.
I want to get back into music - listening to it, that is - as it’s something I broke away from a while back. I go on the internet nowadays, and mp3s scream out at me to download them for nothing - legally, too - but I just pass over them apathetically. How can I discover new music if I don’t care about it? After all, the last artist I pursued (the incredible and obsessed-about Son of Dave) has now become one of my favourite musicians in the last couple of years or so in the space of a couple of months. What about the others?
This would be a longer post, but I really don’t have anything to talk about. I could ramble about how I’m still reading The Picture of Dorian Gray, or how I went into Stockport to buy Strepsils today, or how I’m going out to see Che: Part Two tonight, but due to my icky state I’m really not in a position to inject any sort of enthusiasm into any of it.
Get well soon, me.
Three songs that hurt me.
Today, I’ve got to identify three songs that I think the world - and in particular I - would be better off without. I’ve picked three which I despise for a few different reasons, starting with….
It’s not that I don’t like this song - I do, I think it’s a musical masterpiece - but this song once got me into a lot of trouble with regards to the fourth verse. Simon (see “prick” in the OED) and I once did a performance of this for a school concert - perfectly nice song, we thought, and it is. Sadly, it contained the sexually euphemistic line “remember when I moved in you”, prompting a ridiculously stupid parent to go all Mary Whitehouse and demand for us to be censored. Now that I think about it, maybe it was THAT which started me off…. Either way, if I’d never heard this song, it would have saved me a lot of trouble.
The problem with this song, again, isn’t that it’s bad. In fact, I really like it and that’s exactly the problem - we have laws in our country where if you like James Blunt, you get put up for execution by firing squad. Don’t get me wrong - the more annoying James Blunt songs (“You’re Beautiful”, “Goodbye My Lover”) get on my nerves just as much as anyone else, but this one I like - and I’ve been running from the mob while defending it ever since.
OK - this one I just hate, because there was a period last year where it was literally every fourth song on the radio. Sure, it’s catchy, but it was overplayed to the point of breaking my will to live. She’s not even that talented, and the whole upbeat sense of it was just lost on her - it’s definitely one of Mark Ronson’s worse tracks.
- [Flash 9 is required to listen to audio.]
- 23 Plays
The audio extracted from the below video, for your audible pleasure. Please bear in mind that this, while being fairly funky, is not a finished product and as such should not be criticised as “music”, so to speak.
If you want to download it so you can put it onto your musicaltrons, right click and save link as the following:
And now, I’m going to bed.
Loud Music Costs Lives.
Three songs that are brilliant when cranked up to 11:
Shut Me Up by Mindless Self Indulgence
It’s the contrast that gets me on this song - the fact that in the opening riff there are these microseconds of silence that, when it’s blasted out of a stereo, make the rest of the riff practically send you into convulsions. Plus, there are obvious reasons - it’s bass-heavy, and if it’s played quietly, it’s not a particularly amazing track.
Chinese Democracy by Guns ‘N Roses
Similar reasons to the last one - it’s one of those ones that really builds up, and when you finally hear the opening riff it completely throws you - as long as you’ve been listening close enough to the quiet build-up.
Signal To Noise by Peter Gabriel
God - you just have to listen to it. It’s like having an auditory orgasm. Not sure whether it’s Nusrat Fateh Ali Khan’s haunting voice, or the climactic ending - but it’s an absolutely fantastic piece, and all the better if it’s cranked up.
Unwinding….
There are a few ways I relax:
- Reading. I’ve been through a few patches where I don’t read anything, and they tend to be my worst, most stressful points. It’s amazing what a good book can do. Right now, I’m reading Albert Camus’s (?) “The Outsider”, which despite being really claustrophobic is a fantastic book.
- Music. Preferably funky stuff than can get my foot tapping. I don’t dance per se, but I like stuff with a beat.
- Writing. Though this can get me really stressed. Depends on the mood.
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- 14 Plays
América Do Norte - Seu Jorge
I’m not a massive fan of Latin American music, but Seu Jorge blows me away every time. Laid back, but fun.








